![]() ![]() On tour in support of the album, "Guns For Hire" was the set opener. The song "Bedlam in Belgium" was inspired by the band's appearance at Kontich when a riot nearly broke out when police tried to close down the show after the band allegedly ignored a strict 11 p.m. The songs on Flick of the Switch contain much of the outlaw bravado ("Guns For Hire," "Badlands") and sexual innuendo ("Rising Power," "Deep in the Hole") that fans had come to expect from the Australian rockers. The videos, which were shot in an aircraft-hangar sized area, seemed to reflect the stripped-down sound of the album and flew in the face of the growing infatuation that the music business was developing with the glitz of MTV. He also toured for the album, and is seen in the pro-shot video recordings from that period. A second video for "Nervous Shakedown" was also shot at a pre-show rehearsal at Joe Louis Arena in Detroit. Wright appeared in the videos for " Flick of the Switch", " Nervous Shakedown", and " Guns For Hire". Simon Kirke of Free and Bad Company fame, and Paul Thompson of Roxy Music were two of the drummers auditioned. It was the album that copped the backlash, really." The drum position was eventually filled by future Dio drummer Simon Wright after more than 700 auditions were held in the U.S. They were all pretty knackered by that point. There were all sorts of tensions within the band. Platt later recalled to band biographer Jesse Fink, "It wasn't a happiest of albums. Wilson was hired to help complete the recording if needed, but his contributions were not used. "He got into drugs and got burned out," Malcolm later explained to in August 2000. "It was an absolutely stupid thing that finished it, but it had been brewing for a long, long time," Jeffery remembers. Eventually Rudd broke down crying and begged Jeffery "Don't tell Malcolm." Jeffery also reveals that Malcolm punched the drummer after he showed up two hours late for the band's show at Long Island's Nassau Coliseum and was unable to play the last song of the encore. According to Murray Engleheart's band memoir AC/DC: Maximum Rock & Roll, Rudd had been struggling for some time tour manager Ian Jeffrey recalls getting a phone call from a strung-out Rudd at four in the morning when the band was playing in Nebraska on the Back in Black tour and finding the drummer in his hotel room in a state of disorientated agitation. However, the album's birth was a troubled one after having problems with Malcolm as well as drugs and alcohol, drummer Phil Rudd was fired midway through the album's recording sessions, although he had completed his drum parts. We didn't want echoes and reverb going everywhere and noise eliminators and noise extractors." We wanted a natural, but big, sound for the guitars. In a 1983 interview that appears on, Angus Young said of the LP, "We wanted this one as raw as possible. The album is notable for its "dry" sound, with very little of the polish that is evident on their previous effort For Those About to Rock We Salute You. You know the Johnny Winter version of Muddy Waters' ' Mannish Boy?' Where they're all shouting in the background? Basically what Mal had said was that he wanted to try and get that feeling of being in a room with it all happening. There was a general kind of consensus that we needed to find some way of moving on a little bit. There was a genuine desire to get back to the basics with Flick of the Switch. In the book AC/DC: Maximum Rock & Roll, AC/DC engineer Tony Platt recalls: On the recorded commentary on the album for the Live at Donington DVD, the band members state that the album was an attempt to make the band raw again, and were happy with the result. Lange had produced AC/DC's three previous releases but this time the band chose to produce themselves. The album was re-released in 2003 as part of the AC/DC Remasters series.ĪC/DC returned to Compass Point Studios in the Bahamas to record their ninth album, the same studio where they had recorded Back in Black with Robert John "Mutt" Lange in 1980. The third AC/DC album to feature lead vocalist Brian Johnson, the album is also the last to feature drummer Phil Rudd before his return on Ballbreaker (1995). Despite this, opinions of Flick of the Switch have been quite positive in the years since its release, and the album has often been mentioned as one of the best releases of 1983. The album was deemed a commercial disappointment after it failed to match the sales figures of the band's two previous releases, 1980's Back in Black and 1981's For Those About to Rock, and its release represented the beginning of the band's commercial decline. Flick of the Switch is the ninth studio album by Australian hard rock band AC/DC. ![]()
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